Thaat | Kafi | Vaadi/Samvaadi | m/S |
Prahar | 4 (3 pm - 6 pm) | Important Anuvaadi | |
Aaroha | ’n-S-g-m-P-n-S’ | Bhaav | Shadj-Madhyam |
Avaroha | S’-n-D-P-m-g-R-S | Saptak-pradhaanata | Mandra-Madhya |
Alt. Avaroha | S’-n-D-P, D-m-P-g, m-g-R-S | ||
Pakad | ’n-S-g-m-P-g, m-g-R-’n-S | Tanpura Tuning | P |
Jaati | Audav-Sampoorn | Notation Help | Click here |
Other Characteristics | |||
Similar Raagas | |||
Popular Film Songs | 1. Ai ri main to prem diwani mera dard na jaane koi 2. Main gareebon ka dil hoon watan ki zubaan 3. Maine chaand aur sitaaron ki tamanna ki thi 4. Nainon mein badara chhaye, bijali si chamke haaye 5. Ye na thi hamari kismat ki visaal-e-yaar hota | ||
Non-Film Songs | 1. Zindagi mein to sabhi pyaar kiya karate hain (Geet) |
The aim of I-Soft Classical blog is to promote Indian, Pakistani classical music.The organisation hopes to make steady progress and act as a focal point for artistes, scholars and listeners alike so that a greater understanding of classical music can be achieved. Despite being the age of modern technology and mass media by which the world has become a smaller place, many talented musicians of Pakistan have been denied the opportunity to achieve fame and recognition.
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